Wednesday, October 12, 2011

Texas Killing Fields - Trailer

his police procedural radio grew to dominate the adult in the world in recent years, and while Stuart Dryburgh's cinematography of 35 mm in the fields of Texas murder is best seen in theaters across the country marches released by the CSI and its many variants and ramifications.

OK, just another long-Ami Canaan Mann away from - the daughter of Michael Mann, one of two credited producers here - and the most recent trip of Avatar and Clash of the Titans Sam Worthington ', the film will certainly get much more visibility than its predecessor, Morningstar, indie, which has little impact on the entire decade ago.

A little generosity included in Venice's main competition is aimed at a limited number of U.S. launch in early October. Despite the presence of some notable names in the top of the cast including Jessica Chastain time around, the drama steadily at a rate more like a proposal for the small screen.

Script by Donald F. Ferraroni 's trite to follow a long tradition of two corresponding members, because they go for their activities: Brian (Jeffrey Dean Morgan) is a rough, husky, religiously devout New Yorker, a father, who moved to South Texas, after one of his cases has gone wrong. Still adjusting to the new environment, which will be directed through the streets of the world, local boy Mike (Worthington), a younger man is not very far from a colleague of Pam (Chastain). Brian and Mike surveys the murder of a prostitute, and the disappearance of another young woman, leading them to limit their patch of bayou, long known as a ghost area known as the "Killing Fields".

Texas Killing Fields - Trailer



Although the characters in the film and the stories are fictional, they are, as opening titles dutifully informs us, "inspired by real events." The Killing Fields is a real area where the bodies have been exported to more than 40 years, although these are generally regarded as the work of several killers. This is clearly a wealth of material here in a great care, but Ferraroni and Mann, head to make the mistake of screen time as a potential victim.

School-aged Ann (Chloe Grace Moretz) lives with her drug-addicted mother Lucia (Sheryl Lee) in a shed grimy docks, an extremely dangerous and unsuitable for an innocent, an intelligent child, Mike and Brian deserves the chance to realize a better future.

Ann is repeatedly are at risk because the current tension is embodied is never enough. Brian and Mike Mann scored patient occasionally work outside the rules, detective occasional action sequence of great violence, the latter notable for the effective development of a propulsion Mann, punctuation sometimes slightly collaborator Claire Denis Dickon Hinchliffe. Additional music as folk-rock flavor of South American help boost the atmosphere of a project, such as co-competitor Venice Killer Joe, was shot entirely in Louisiana, location scout Jimmy Trotter properly wetlands have unearthed shocking.

But despite the wealth of background details, the killing fields of Texas falls desperately short in terms of plot development and characterization. Worthington, Morgan Chastain and provide additional evidence that they are essentially the character of the players instead of movie stars born, while Briton Stephen Graham thief scene gives little disappointing to chew as a suspect claim. Moretz small, however, proves once again that false thin shoulders may face all kinds of heavy work.

Location: Venice Film Festival (Competition)

Production Company: Anchor Bay Films

Starring: Sam Worthington, Jeffrey Dean Morgan, Chloe Grace Moretz, Jessica Chastain

Director: Ami Canaan Mann

Screenplay by Donald F. Ferraroni

Produced by Michael Jaffe, Michael Mann

Executive Producers: Bill Block, Paul Hanson, Justin Thompson, Anthony Jr. and Bryan, Ethan Smith, John Friedberg, Michael Ohoven

Director of photography: Stuart Dryburgh

Designer: Aran Reo Mann

Music: Dickon Hinchliffe

Editors: Cindy Mollo

Sale: QED International, Los Angeles

Rated R, 105 minutes

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